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How to Get Away with Murder is always crazy, but this episode took it to 11. Here are stream-of-consciousness ramblings on the biggest shockers from the latest episode.
1. Mr. Sexy Cop and Oliver are in a fierce battle for the role of Poor Edith. Now Nate’s in trouble for his cancer-ravaged wife’s death; she asked to put out of her misery. This series is not called How to Get Away with Mercy Killings. He gets off the hook thanks to some machinations by his lawyer, Eve, who is Annalise’s sultry former lover. Her ex is representing her ex. They tamper with a blood sample, but at this point, Nate should do whatever it takes to avoid another murder trial. Oliver, your move.
2. Laurel is working hard to be the most useless member of the Keating 5. Laurel whines to Annalise because she wants approval for her creepy relationship with Frank. Annalise does not play that game; she tells Laurel: “Go back to the office and stop being needy.” Laurel also embraces a dumb trope. When characters go undercover, the actors like to show off with made-up accents. Laurel uses a cutesy Spanish accent while evidence-gathering, it’s pointless. If her ruse is detected, nobody is going to say, “Oh, it can’t be her. She looks exactly like the woman I talked to, but that one had an accent.”
3. Everyone thinks Annalise and Wes are doing it. Eve questions Annalise’s relationship with Wes. Professor Keating says she doesn’t have sex with her students. She doesn’t mention dirty-dancing with them.
4. Annalise eats pub appetizers. She and Eve order mozzarella sticks and potato skins. It’s hard to imagine Annalise gnawing on buffalo wings, but it could happen.
5. Sam had quite the insurance policy. When fantasizing about an expensive Paris trip, Annalise tells Eve: “Oh, that’s not a problem, I’ve got Sam money.” If only she would use some of it to move out of her dark and creepy house.
6. We Finally Know Who Wes Is! Annalise tells Eve, “It’s him.” Thanks for clearing that up, Annalise. Since “it’s him,” she should also use some of that Sam money to get “him” out of that crappy apartment.
7. Frank is disturbing. When Oliver makes a comment about not being as hot as Connor, Frank notes: “Seriously, I’d spank you before Walsh.”
8. Bonnie needs to have a seat: Okay, Annalise did blab to Connor about Bonnie’s incestuous pedophile father, so Miss Winterbottom has cause to be upset. (She’d really be pissed if she knew that Annalise showed Connor the video.) Annalise did it to save Bonnie from a murder rap and Bonnie should already know about her unorthodox methods of getting shit done. She had the nerve to say that Annalise doesn’t know how to love anyone. La Keating doesn’t care for that sort of talk and retorts: “Alright. When you go back to that fancy apartment and roll around in bed with that 25-year old boy and you’re not hanging from a bedsheet behind some metal bars, then you tell me that I don’t love you.” Bonnie ups the insults by saying: “I want you to die.” Shut up, Bonnie.
9. Bonnie also needs to Netflix and chill. In the flash-forward, we see that she’s the one responsible for this season’s mystery. Miss Winterbottom appears to have shoved her nemesis Emily Sinclair off a roof. This show should be called How to Get Away with Bonnie’s Murders.
10. Oliver’s life sucks. After helping out the Keating Five, Oliver returns to his apartment and doesn’t lock the door. Enter quiet loner, Phillip, who the gang has been trying to find. He is aware of Oliver’s cyber-sleuthing. Bye Oliver. He’s probably not dead, but even if he lives, his life will still suck. Poor Oliver.
We love thoughtful and witty comments, they don’t appear right away, but we’ll get to them.
How to Get Away with Murder airs Thursdays at 10/9c on ABC
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Sometimes I think I’m over How To Get Away with Murder, but sometimes I’m delusional. Miss Shonda has me ensnared in her web, there is no way out! Here are some stream-of-consciousness ramblings.
How to Get Away with Murder airs Thursdays at 10/9c on ABC
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Annalise Keating has quite the felonious rep, now she’s getting requests. Here are stream-of-consciousness ramblings on How to Get Away with Murder‘s “Skanks Get Shanked.” Let’s go!
How to Get Away with Murder airs Thursdays at 10/9c on ABC
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How to Get Away with Murder‘s “It’s Called the Octopus,” was all kinds of crazy. That’s redundant. Nobody watches HTGAWM for SANE scenarios.
How to Get Away with Murder airs Thursdays at 10/9c on ABC
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How to Get Away with Murder returned for a second season this week with the episode “It’s Time to Move On.” Here are some stream-of-consciousness ramblings on the premiere. *Wine was consumed while writing this.
What did you think about the episode? Comments don’t appear immediately, but we promise we’ll get to them.
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I was so gung-ho when How to Get Away with Murder began. There were so many twists and turns along the way, that I kept changing my mind about whodunnit. What you have to know is I pride myself on always being right about the culprit. I base this on the fact that it took me five minutes to figure out that Bruce Willis was dead in The Sixth Sense. I never saw the finale HTGAWM reveal coming.


Fall can’t come soon enough.
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I admitted that I had trouble getting into How to Get Away with Murder, I’ve got my head in the game now.
The Nate Lahey scenes were gut-wrenching. That’s the first time I’ve written the character’s name. I can’t call him Mr. Sexy Cop now, that would be vulgar when the character is strip-searched and humiliated in prison. Billy Brown didn’t have many lines, he didn’t need them; his scenes were quietly powerful. It’s too bad that much of Brown’s interaction with Viola Davis this season were hurried scenes in cars.
And then we get to Cicely Tyson. That was a bit of a mood whiplash, huh? Her introductory scenes took on a ’70s sitcom vibe. It’s Cicely Tyson, she can do whatever she wants.
The arrival of Ophelia, Annalise’s mother, explains a lot. Ophelia is harsh and seemingly resentful of her daughter’s success. No wonder Anna Mae Annalise fled that life. It’s a threadbare trope, but it does speak to Annalise’s determination that she transformed herself into brilliant and accomplished Professor Keating. Yes, she’s a mess, but she’s a brilliant and accomplished mess.
The episode fleshed out Annalise’s backstory. It’s already been established that Annalise had a tragic past Now it’s confirmed: she was raped by an uncle as a child. (So that’s what she was referring to during an argument with Sam when she accused him of seeking out vulnerable and broken women.) Unbeknownst to Annalise, Ophelia eventually avenged Annalise’s rape in a The Burning Bed sort of way. This opens the door for Annalise to forgive some of Ophelia’s many flaws.
Consider this: Annalise would be less screwed up if she’d been raised by Rowan Pope. Olivia certainly has her issues, but she is less haunted and tormented than Annalise. Bear in mind that Rowan orchestrates cold-blooded killings in the name of national security.
So now it looks like Sam didn’t kill Lila. Did an extra kill Lila? Did a viewer kill Lila? Did you kill Lila? Rowan Pope would have wrapped this thing up already. By the two-hour finale, Annaliese will unfurl from the fetal position and get back to being the red-leather jacket Annalise we saw in the pilot. Annalise has got this.
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Hey there, are you late to the HTGAWM party? There’s a lot of back and forth on the show, so here’s how to get with the program. (See what we did there?)
Case of Week: Yay, none of that tedium tonight. We spend so much time ignoring it.
Past Presumed Murder: Nope. The show is living in the now. We welcome our merged timeline overlords.
Present Day Not Quite Murder. Maybe Manslaugthter: Annalise orders Sam out and threatens to call 911. Oh, Sam if you left then, you wouldn’t have needed emergency services later. Annalise thinks this is a good time to mention her desk shenanigans with Mr. Sexy Cop in a blaze of details. Annalise is getting close to “Cell Block Tango” territory because she knows Sam will not appreciate this.
Oh, looky, Sam finds the best way to prove he didn’t strangle Lila; he has his hands around his wife’s neck because Sam is all about poor life decisions. She challenges him to kill her, and he does … with words. Sam has some vile things to say about what he thinks of Annalise. It’s like “Who’s Afraid of Virginia Woolf” except Burton and Taylor were so much nicer than these two (Elaine likes Ye Olde Time-y references). Annalise storms out, Sam is an idiot so he hangs around because he doesn’t realize this show is not called “How to Get Away with Pissing Off Annalise.”

Wes persuades a dubious Connor and Laurel to race to the Keating house because he thinks Rebecca is there. He insists that Sam will kill Rebecca to cover up his supposed murder of Lila. Michaela is already at the house to turn in the pilfered Scales of Justice trophy to Annalise. That’s not how this works, that’s not how any of this works. Michaela has bad timing because that’s when Rebecca sneaks in and Sam goes after her. Not bright enough to leave, Michaela hangs around screaming on the phone to Wes because Plaid Shirt and Bicycle is so tough. The Scooby Gang shows up. Wes ASKS Sam if they can leave. Five against one and this goof is asking permission. Guess he thinks this will get him extra credit. There is a struggle and Sam falls to his death. Michaela was the one who pushed him. Never saw that coming. Wait, he’s was still alive — until the Plaid Wonder (at least we think it was him — these scenes were kind of night-vision for us) hits him with the trophy. Okay, now Sam’s dead. For real. We know what happens next because we remember all the scenes from every episode.
Prim blouses aside, Bonnie gets freaky. She picks up a guy in a bar then double dips by taking Asher to bed. Two guys in one night. Welp, it’s always the quiet ones. Guess the first guy was lousy. Afterward, Asher gripes when he sees selfies of his “friends” at the bonfire without him. Guess Bonnie was lousy. Annalise, of course, is straddling Mr. Sexy Cop. She later calls Sam, begging him to come home. Why? She phones Bonnie to ask if Sam’s with her. Why?
Oh, now we know why. We see a flashback to the night of Sam’s death. Wes returns to the house. Annalise is there. She thanks him for killing Sam. Sadly, its seasonal finale time until January. Though we’re now entering real time, there’s still plenty of questions to keep viewers trying to figure out just how Annalise and the Scooby Gang Get Away With… Manslaughter. This could keep a recapper up nights between now and the show’s return. That is cruel, but okay, Show, I’m enjoying the ride.
PS We still don’t trust Bonnie.
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Oh, for goodness’ sake, just when I thought these timelines were merging, it’s six months earlier, back in those halcyon days when Lila and Rebecca were friends. I’m employing a new format this week because trying to keep track makes me want to stab myself in the neck.

The Aftermath: After Annalise learns from Bonnie that Lila was six-weeks pregnant, she’s on the warpath. As Bonnie awkwardly stands around, Sam denies to Annalise that he knew Lila was pregnant. Annalise takes the news straight to Wes because she does not run the kind of law firm where actual adults do anything useful. Though it can help Rebecca’s case, she tells him to keep mum. He doesn’t trust her motives, but shares the revelation with Rebecca anyway. Rebecca immediately fills in her new ally Mr. Sexy Cop. She suggests that since Sam texted Lila so much there may be evidence on his phone. Wes arrives on his bike just as Sam is pulling off. He’s furious with Rebecca because he thinks Annalise is playing them. Of course, he’s really mad because riding a bike is not as cool as driving a car. He should move to Amsterdam.
The Verdict: I’m over everyone. I want Lynn Whitfield to loan me her pen so I can stab people in the neck.
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